The Stranger (2019)

After the 1942 book by Albert Camus, L’Étranger. This series follows the existential struggle and absurd indifference uncovered by emotional detachment. It is an account of the killing of character as capital sin, of being lost, of not caring about anything. Like the discovery by the protagonist Meursault of his uncanny self, so are these images intended to document a journey through detachment and isolation. They are testaments referencing the book as well as independent, sealed off slices of time and space, referencing subjects far beyond the book.